Just back from the printer, toward blue peninsula, the second Ed Barrett book we’ve designed. (See the first here.) The insides are essentially the same as the first book, but we’ve traded Helvetica for Benton Sans. (In case you’re keeping track.
Just back from the printer, toward blue peninsula, the second Ed Barrett book we’ve designed. (See the first here.) The insides are essentially the same as the first book, but we’ve traded Helvetica for Benton Sans. (In case you’re keeping track.